Key points:
- No key signature, and he prefixes every note with some form of accidental. This is most unfriendly.
- It's very exposed, and part of a fugue subject. First, voice. Then viola, then violin, then you.
- On the plus side, however - it's nice and slow!
I also like the way that Sibelius 5 shows every note apart from the b flat in red, indicating that this might be a bit on the high side!
Don't suppose you know whereabouts in the opera this is?
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